A broadcast commercial workflow that will make you go “Snausages!”

S’nerd (super nerd) that I am, I find this workflow to be really exciting. This method allows you to merge jam-synced second-source audio metadata (logged on-set by the sound recordist) with your video footage. If timecode is properly synchronized between sources, you can sync the sound to the picture AND merge the metadata in under 15 minutes. In this tutorial, I’m also making multiclips from the day’s shoot.

3rd party apps used in this vid, which I highly recommend for use with FCP X:

Intelligent Assistance Sync-N-Link X

X2Pro Audio Convert

Sound Devices Wave Agent (free)

One app I didn’t use in this workflow that I also recommend is Shot Notes X. It’s a really smart new utility that allows you to merge script notes with your shot footage. We tested using Shot Notes in conjunction with Sync N Link at NAB and, I’m happy to say, they all works brilliantly together.

This man had to choose between a Think Tank roller bag and a Tamrac roller bag. His final decision will ROCK YOUR WORLD.

Tamrac or Think Tank?I want to give a special shout out and thanks to Emm from CheesyCam for recommending the bag that I eventually purchased to carry my gear to NAB. I was going back and forth between the Tamrac 5797 roller backpack and the Think Tank Airport Takeoff. Both can be used as a roller and as a backpack. I ended up purchasing both of them to test them out with different setups. Each of these are excellent bags. In the end, I returned the Think Tank.

The Tamrac won out for me because of one feature – the top loading compartment. I think that this is a smart use of space for run ‘n’ gun shooting. Because of this, you don’t need to lay the bag down in order to take your camera out. I can roll it up to location, unzip it and get my camera out quickly. When you do need to lay the bag down, the flaps are small so they don’t take up extra floor space.

Additionally, I can fit a GH3 (soon to be GH4) with a Honu Fhugen cage inside the top compartment. I had difficulty figuring out a way to fit that same setup easily into the Think Tank Takeoff due to its straightforward flat design.

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NAB 2014 Post-Wrapup-Diary or “How to Attempt to Become a Greek Demogod”

What a crazy, insane, amazing week I had at NAB. I flew in last Saturday morning. Thanks to Alexis Van Hurkman’s recommendation, I stayed at Treasure Island. While there was no pirate theme in the room (bummer!), the rooms were comfortable and the rate was really affordable. It was perfectly located for my daily walk to the FCPWORKS private demo suite, where I spent the week showing off my work in FCP X.

Once settled, I walked over to the Wynn hotel’s buffet and stuffed my gullet along with Sam Mestman and his dad Steve (hi, Steve!). A few hours later, we were off and running, setting up this slick suite on the 26th floor of the Wynn.

FCPWORKS Suite view at the Wynn

Forty-eight hours, one Quantum SAN and nine Mac Pro/iMac edit stations later, Sam, Darren Roark and I were ready to start demoing.

On Sunday, Scott Simmons from Pro Video Coalition showed up to interview us. Can you tell I was a bit awe struck?

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Sometimes, the editor gets to speak…

Huell in Poppies

Here’s an interview I did with a local radio station last weekend at the premiere of a documentary about Huell Howser. Huell is a bit of a California icon for those not from The Golden State. I edited about 500 shows with him during the 8 years we worked together. Part of what got me the job was showing off real time color correction in FCP 4.5.

Well, 10 years later, I’ll be demoing real time color correction and lots more cool stuff in FCP X for FCPWORKS next week at NAB. Hope to see some of you there! Sign up for appointments here

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